Heroes and villains: Strutt's Australia
Plan your visit
Hours: daily, 10am–5pm; open until 9pm on Thursdays
- Thursday, 14 July 2016–Sunday, 23 October 2016
Our winter 2016 exhibition
The 1850s was Melbourne's golden age, when Victoria became a separate colony, gold was discovered, bushrangers roamed and explorers launched bold expeditions into the Australian interior.
These dramatic transformations were captured in stunning paintings, sketches and drawings by William Strutt (1825–1915), whose work encompassed the brutal fury of the Australian landscape and the human drama of life in the mid-19th century.
This free exhibition brought together significant works from the extensive collections of State Library Victoria, the National Library of Australia and other major Australian collections.
Heroes and villains: Strutt's Australia was presented in partnership with the National Library of Australia.
View a selection of artworks from the exhibition in our image gallery, including sketches, studies and oil paintings.
A word from the curator
Hear from curator Matthew Jones as he introduces the themes explored in our exhibition, the first retrospective of Strutt's work to be held in Melbourne.
No booking is required for our 45-minute guided tours held at 12.30pm every Tuesday, Thursday, Saturday and Sunday.
Book in for a guided curator tour of the exhibition with guest curator Matthew Jones from the National Library of Australia.
For more insights into Strutt's life and work, download a copy of the room brochure.
Strutt's sketching studio
Drop in anytime to our all-day sketching studio and immerse yourself in a day of drawing.
- Friday 23 September, 11am–6pm
- Saturday 24 September, 11am–6pm
William Strutt was a superb draughtsman and renderer of the human figure, whose ability to compose complex dramatic scenes is witnessed in large narrative works such as Black Thursday, February 6th, 1851 and The burial of Burke.
The oil paintings, watercolours, portraits, prints, preparatory sketches and large-scale history paintings featured in the exhibition provide an unparalleled visual record of the hazards and hardships of colonial life, and demonstrate the meticulous approach of an academically trained artist.
'Bushrangers' working sketches
William Strutt's large-scale paintings were based on meticulously observed sketches. View our interactive to see the preparatory sketches that laid the foundation for his masterpiece, Bushrangers.
Our audio-described tours bring the artistry of William Strutt to life, describing the exhibited works in terms of their story, colours, artistic medium and the people, places and objects they depict.
Call us on 03 8664 7099 or email firstname.lastname@example.org to book one of the following tours:
- 25 September, 1.30–3pm
- 20 October, 10.30am–12pm
'The burial of Burke' infrared
Infrared analysis can reveal the fascinating back story to the construction of artworks. Use our infrared tool to view details beneath the layers of paint in Strutt's painting The burial of Burke.
Curator: Matthew Jones
The first retrospective of Strutt's work to be shown in Melbourne, the Heroes and villains: Strutt's Australia exhibition is curated by Matthew Jones, a curator in the Exhibitions Branch at the National Library of Australia, where he has co-curated The Life of Patrick White and displays in the Treasures Gallery, the Library's permanent exhibition space.
Young explorers trail booklet
If you're visiting the exhibition with children, download a copy of the Young adventurers trail or pick up a printed copy when you visit the exhibition.
Audio performance: 'Black Thursday'
Listen to a soundscape re-creating the drama and tragedy of Black Thursday, 6 February 1851, bringing to life the people, stories and terrifying atmosphere through voices, music and sound effects.
William Strutt's 'itinerant picture'
Read a La Trobe Journal article by our Picture Librarian, Madeleine Say, detailing the long quest to find a buyer for Strutt's monumental artwork Black Thursday.
Virginia Dahlenburg on 'Black Thursday'
Watch a video with Senior Conservator of Paintings Virginia Dahlenburg as she discusses the style of art known as the 'Apocalyptic sublime', and hear dramatic excerpts from a letter by William Strutt that describes the terrifying day in 1851 when temperatures soared to a scorching 47.2 degrees Celsius.