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Audio Tour
Get more out of your visit to How I entered there I cannot truly say: Collaborative works from the ANU Edition + Artist Book Studio by listening to our audio tour. Narrated by exhibition curator Dianne Fogwell, the tour brings the beauty of artist books to life.
Accessing the audio
The audio tour consists of 17 mp3 files. You can access the audio in three ways:
- Listen online now - Click on any 'Listen to...' link to go direct to our in-page media player and listen to individual audio tour sections at your computer.
- Subscribe to the podcast and listen later - Use the link under the 'Subscribe' heading on the right-hand side of our audio pages to automatically download the entire 17-part audio tour. Listen at your computer or transfer the files to a portable device and listen while viewing the exhibition.
- Download the audio files manually and listen later - Right-click on any 'Listen to...' or 'Download...' link and choose Save to download individual audio files. Listen at your computer or transfer your downloaded files to a portable device and listen while viewing the exhibition.
If you don't have access to an mp3 player, a small number with the audio tour already downloaded are available for temporary loan free of charge in Experimedia.
About the audio tour narrator
Dianne Fogwell is the exhibition curator for How I entered there I cannot truly say. Dianne is an artist and master printmaker. She has been a curator for major exhibitions and lectured widely on the subjects of print and the artist book. She was Lecturer-in-Charge at the Edition + Artist Book Studio, Australian National University, from 1996 to 2005. She is currently working in her studio in Canberra.
A welcome to the exhibition 'How I entered there I cannot truly say' and introduction to the ANU Edition + Artist Book Studio.
A discussion of a selection of framed works by Andrew Powell and folio work by Jan Brown that includes the poem 'Raven' by Ian Templeman.
An overview of the 'Twelve' folio, a series of sketches, objects and reflections in print by senior lecturers of the Australian National University.
An explanation of a collection of works from the 'Resonance' series by curator Dianne Fogwell with an accompanying creative musical response by musician Ian Blake.
Insights into folio works by Gaye Paterson and Lukas Kandl and 'The Alignment' (volumes one and two), featuring poems by Chris Wallace-Crab and images etched, embossed and silkscreen-printed by Bruno Leti.
A discussion of a selection of linocuts from the 'Images in Relief' folio series that includes works by GW Bot and Ing King.
Information about the etchings from Fiona Foley, Katharine Campbell and Helen Geier, which include examples of letterpress.
Comments about limited edition prints by Bernard Hardy and a collaborative work by Jan Brown and Ian Templeman.
Expert comment on Sir Sidney Nolan’s 'Evolutionary History of Edward Kelly in Primary Colours' and a Japanese bound book by Andrew Powell.
Analysis of a Robin Wallace-Crabb collaborative work produced with Dianne Fogwell, Ingeborg Hansen, Peter Finlay, Bernadette Crockford and Phillip Day.
An introduction to 'The Garden', by Katherine Nix, one of Australia’s finest paper makers. The work includes the tale 'Three Roses' by Garth Nix.
An explanation of the exhibition's title, 'How I entered there I cannot truly say', from Dante’s 'Divine Comedy'. It is a tribute to the first book published by E+ABS, Udo Sellbach’s 'And Still I See It' (1995), which used Dante’s text.
An in-depth discussion of work commissioned by Berkeley Editions and produced by Margaret Olley in collaboration with Dianne Fogwell, Elspeth Pelling, Katherine Campbell, Gaye Paterson, Basema Mahadi, Mark Kobal and Erin Field.
Insights into silkscreen prints by Indigenous artists Lena Kuriniya and Helen Lanyinwanga.
A personal account by exhibition curator Dianne Fogwell of her own etchings from the 'After Jack Unhook the Moon Series' and of her collaboration with artist Jason Benjamin.
A review of Elspeth Pelling's haunting works, which sit alongside Dianne Fogwell’s linocut 'Serendipity', created especially for the exhibition period at the State Library of Victoria.
A review of the art practice of letterpress as expressed by Caren Florance, and a print by Annette Iggulden; the final work produced at the Edition + Artist Book Studio before Dianne Fogwell, Lecturer-in-Charge, retired.
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| Bernadette Crockford, 'Concrete Poetry', 1996, letterpress - an artist book bound using concertina-style folding |
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