The 1970s in Australia was a time of turbulence and change. Public protest against Australia's role in the Vietnam War spilled over into debates about the nation's political and social life.
The popular media reflected changing attitudes, and comics were no exception. Underground 'comix' (spelt with an 'x' to distinguish themselves from mainstream comic books) were filled with experimental stories about sex, drugs and politics. |
|
|
They were designed to shock and sometimes encountered opposition from government censors and hostile magazine distributors - which made them all the more popular with readers. |
As the radical politics of the 1970s waned, Australia's underground comix lost their audience, forcing artists and writers to find other creative outlets. By the end of the decade, comix had truly gone 'underground', but they had proved that the medium was capable of showcasing work aimed at an adult readership.
During the 1970s, specialised science-fiction/fantasy bookstores and comic-book shops had begun to appear across Australia. These outlets exposed Australian readers to new trends in overseas comics, and some began publishing their own 'alternative' comics, featuring work by a new generation of writers and artists.
|
The political protest of 1970s comix gave way to more self-consciously experimental works. Some subverted traditional comic genres, while others were intensely personal, even autobiographical. |
As the 1980s progressed, it became clear that this new wave of Australian comic artists had less to say about Australian politics or culture, aligning themselves instead with the international outlook of the worldwide small-press comic community.
Illustrations
Top Trudy COOPER (cover artist, born 1971), Platinum Grit Issue 1 & 2, Paddington QLD, Dead Numbat Productions, 1996
Bottom Trudy COOPER (cover artist, born 1971), Platinum Grit Issue 9, Paddington QLD, Dead Numbat Productions, 1996
Right Trudy COOPER (cover artist, born 1971), Platinum Grit Issue 9, inside page, Paddington QLD, Dead Numbat Productions, 1996 (detail)